Bach’s solo violin scores continue to scare many violinists, however, the Spanish Lina Tur Bonet has delighted everyone with her beautiful interpretations of the German musician’s sonatas in the Church of Santa Cruz de la Serós.
Nobody can say that playing the violin is easy, because learning to master it completely requires years of almost exclusive dedication and hours of endless practice. However, the final result of a piece of music is so beautiful that violinists never feel that their effort was in vain, since they are creators of the most harmonious melodies and responsible for continuing to bring to life symphonies written centuries ago by the greatest geniuses of the world. the music.
Lina Tur Bonet is one of those violinists who, with her discipline, has managed to interpret with ease and fluency hundreds of symphonies belonging to the most renowned musicians in history and even those sonatas that cause the nervousness of many violinists have passed through the hands from Lina, who has been in charge of playing them almost to the perfection of their original composers.
Lina: a violin prodigy
Despite the fact that, at present, she is known in all parts of the world and is considered a musical eminence by the highest groups of violinists in Europe, this woman is Ibizan by birth and Spain was the first country that delighted with her art since she was a little girl.
At the age of three, Lina began receiving her first music and dance classes thanks to her father, Antonio Tur, who always supported his daughter in the development of her talents. Lina showed, from an early age, that it is not necessary to have the best violin of the moment ( If you click here, you will find several products to choose from ) , but to possess great talent and perseverance, because her artistic gifts made her worthy of scholarships that led her to the best European universities.
Her training is marked by various artists who helped her to stand out and, in that way, she managed to obtain the best grades. Currently, he is dedicated to directing his musical group, touring, giving violin master classes and showing everyone his art in different presentations.
Despite having performed over 400 years of musical history with various instruments and by multiple composers, Lina Tur Bonet has always felt a great affinity with Johann Sebastian Bach and, for that reason, people from different parts of the world flock to hear that this woman, again, will interpret some of his sonatas.
Works for solo violin
Bach’s Sonatas and Partitas for violin only continue to give something to talk about, despite the fact that approximately 300 years have passed since their composition. Without continuous bass and nothing to accompany the sound of the violin, these works were revolutionary and could be considered one of the reasons why the violin achieved, after being marginalized, the prominence it enjoys today in orchestras.
Bach demonstrated by making the four voices of the violin sound very naturally, an almost impossible milestone, that the instrument does not need anything else. Although many violinists have failed to repeat this feat, as it is extremely difficult to play more than two strings at the same time naturally, Lina Tur Bonet has managed to surprise everyone with her brilliant performance.
Lina Bonet, alone with the sheet music
The Church of the Monastery of Santa María de Santa Cruz de la Serós, with its architectural structure from the 11th century, was the place where this magnificent performance of the musical pieces took place. The melodies of the Partita no. 1 and Sonata no. 2 have flooded the venue and, in order not to modify Bach’s creation at all, Lina decided to limit the ornaments and repeat exactly the musician’s composition, something unusual for violinists trying to interpret his scores.
The slows and fast of each piece were interpreted with the same precision, although, because of this, the slows felt a little less compelling due to the fidelity of Bach’s austerity execution. Nonetheless, the audience managed to follow Lina Tur Bonet’s steady ascent all the way to the faster sections, almost impossible for many violinists to follow, but with a fluid and splendid sound in Lina’s hands, who did not lack attention to each. detail, due to the characteristic movements of this gifted violinist.
The most extensive part of the presentation featured pieces from the Double de la Corrente , the Tempo di Borea and the Sarabande . The latter was the only performance with some slight adornment changes to the melodies. As Partita no. 2 and the end of the show, the violinist felt more relaxed and more fluid. After finishing, the applause was not long in coming from those present.
Despite having a mysterious anonymous violin from the 17th century, the instrument chosen to interpret this difficult repertoire was her violin Dom Nicolo Amati, from Bologna, specifically from the year 1740. The violinist has made it known that, depending on the requirements of the sonata , the choice changes between one violin and another. For this presentation he decided to use the Don Nicolo and the reaction of the public towards his interpretation of Bach is a good indication that his decision was correct.
International Festival on the Camino de Santiago
Lina managed to give an interpretation at the height of this festival that, for 27 years in a row, has managed to bring classical music performed by the most renowned and talented artists today, such as, in this case, Lina.
Although modern music has displaced, in a certain way, the ancient symphonies, they still manage to make a place in different cultural spaces like this one and, although Lina Tur Bonet is taking care of bringing the melodious and harmonic sounds of the violin around the world, surely Santiago de Compostela will be able to count on your presence once again at the next festival.